S. Reid, "Approaching Electronic/Acoustic Performance Practice Through Improvisation" in Journal of the International Alliance of Women in Music, Vol. 23, no. 1 (2017): pg. 2–7. View PDF
S. Salazar, S. Reid, and D. McNamara. "The Fragment String," in Proceedings of the International Conference on New Interfaces for Musical Expression, Copenhagen, May 2017.
S. Reid, R. Gaston, C. Honigman, and A. Kapur. “Minimally Invasive Gesture Sensing Interface (MIGSI) for Trumpet,” in Proceedings of the International Conference on New Interfaces for Musical Expression, Brisbane, Jul. 2016. View PDF
S. Reid, “Interdisciplinary Process for Collaborative Artists: A Proposed Theoretical Model,” in Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, Manchester, Aug. 2015. View PDF
A. Kapur, P. Cook, J. Hochenbaum, O. Vallis, and S. Reid, “The Future of Online Arts and Creative Education,” Exploring Science in the Studio, AICAD Symposium, Nov 2015.
A. Kapur, P. Cook, S. Reid, J. Hochenbaum, and O. Vallis, “Kadenze: An Interactive MOOC Platform for Arts and Creative Technology,” in Proceedings of the 21st International Symposium on Electronic Art, Aug. 2015.
S. Reid, "Approaching Interdisciplinary Process Through Collaborative Engagement, Communication, and Play" Proc. of the 2015 International Conference on New Music Concepts, Italy, Mar. 2015.
S. Reid, "Music and Augmented Reality: Creating an Immersive Environment for Performers and Audience Members" Proc. of the 2014 IEEE Games Entertainment and Media Conference, Toronto, Oct. 2014.
"New Interfaces, New Sounds: Augmented Instruments and Female Innovators in Music Technology", Austin Community College, TX, March 2017.
"Designing & Composing for MIGSI, the Minimally Invasive Gesture Sensing Interface for trumpet" at UT Austin, TX, March 2017.
“The Performer-Composer-Technologist.” Grids, Beats, and Groups. CalArts, Valencia, CA, 2016.
"Ankhrasmation & Music of Wadada Leo Smith," at California Institute of the Arts, CA, March 2016.
"Embodied Hyperimprovisation: Design Considerations for Augmented Instruments," at New Expressions: Women in Music Technology Symposium, UC Irvine, February 2016.
"Improvisation & Alternate Notation" with Ryan Gaston, at Hendrix College, Conway, AR, November 2015.
"Varèse to Machover" with Ryan Gaston, at Hendrix College, Conway, AR, November 2015.
“The Minimally-Invasive Gesture Sensing Interface (MIGSI) for Trumpet.” University of Oregon, OR, 2015.
“Music and Augmented Reality: Creating an Immersive Environment for Performers and Audience Members” IEEE Games, Entertainment, and Media Conference, Toronto, 2013.
S. Finn, The Quebec Class Action: A Roadmap. S. Reid, ed., Québec: LexisNexis, 2016.
S. Finn, Class Actions in Quebec: Notes for Non-Residents, S. Reid, ed., Québec: Carswell, 2014.